design cutting moulds (by step)

[meccanicamg]

practically

 

[Matricola_Gigi]

Let me understand one thing: Is nothing but a set of two (or three) smooth plates flowing into the columns?

 

[meccanicamg]

That's right. the holder is made from lower and upper base paste and from the columns and guide compasses.

 

[Matricola_Gigi]

and the central plate is used for the right primer?

 

[flg]

hi gigi, the central plate is used as a primer or extractor and generally if it is possible it is better to color it.

 

[Matricola_Gigi]

What does it mean to color it? It's already colored. . .

 

[rinato]

means what is written.
I mean, the commercial blocks, if you take them to 3 plates, it is obvious that they are coloured. because they usually serve like that.
but if you have needs/problems you can think not to color a plate that you will buy apart, distinctly from the comm block. 2 plates.
Meanwhile, be quietly attached to the primiera incolonnati. the rest will come to itself.

 

[Matricola_Gigi]

Okay, got it. So on the upper and lower plates only pieces are hooked, while the middle one is worked to get the holes where the punches pass, right?

 

[meccanicamg]

normally yes. in particular cases no. for some particular moulds you leave the primer with 2 mm gap and not colored to leave free to adapt to the sheet and therefore is not colored.

 

[Matricola_Gigi]

Okay. when you buy a flash drive, to hook it to the press how do you do it? Is there an attack yet? is it standard?

 

[flg]

I've never used the commercial plates, but from what I've understood, you have to get them to work, and in the meantime, you've got to do the relays by following the drawing of the press, or give the design to those who sell the plates and do it as you want. Until now I've never seen a press like the other.

 

[SHIREN]

Okay. when you buy a flash drive, to hook it to the press how do you do it? Is there an attack yet? is it standard?

I've never used the commercial plates, but from what I've understood, you have to get them to work, and in the meantime, you've got to do the relays by following the drawing of the press, or give the design to those who sell the plates and do it as you want. Until now I've never seen a press like the other.

Hi.
Let's say that cheating is not my job
but the concept of turning a mould to the press planes is equal for each type
the floors always have twigs that are used for threaded dowels rods and threaded barshttp://www.fibro.de/it/normalizzati/pdf-pagine-da-scaricare.html?eid=dam_frontend_push&docid=2079when there are no conditions as the friend flg says you build or you make the application
Thank you very much

 

[meccanicamg]

then there are some presses that have t din quarries for the upper and lower stand. in other cases there is only in the lower one and there is a tangle to hook it over. if you are looking for a little supplied catalogs you will find the drawings of these cylindrical or pear codons

 

[Matricola_Gigi]

So all the plates must be fixed, even the lower one? I thought it was just the upper one because the mold is leaning on the bottom of the press, right? but in theory, when commissioning a cutting mold, shouldn't the designer just draw the mold? Shouldn't they see it?

 

[meccanicamg]

if for some reason in opening remains blocked the mold should not be lifted, then it is fixed also below. then if you have even more equipment it will be fixed below. the fixing system should be agreed, it is not a washing machine where water and current attacks.

 

[Matricola_Gigi]

Okay, I get it. One more thing. As the lower plate of the stapler is in contact with the press, from where the sliced pieces come out and the rash?

 

[meccanicamg]

the vent comes out of the appropriate holes that they do in the stab

 

[Lucky66]

Okay, I get it. One more thing. As the lower plate of the stapler is in contact with the press, from where the sliced pieces come out and the rash?

you have to put parallels under the upper plate enough to extract the spherical and pieces, if the press to a hole in the center you can convey them with metal slides.
some tranceries put the motorized mat for evacuation.
Hi.

 

[rinato]

pieces and rash can(must) get out of where you go better.
Usually the gravity is adhered to, then piece and/or spherical come out from below. you may happen to be technically convenient/need to vary: the finished piece can go out at the end of the mold, falling from the last edge of the last matrix; or there may be some skewers coming out on that side (and usually the piece is already out from below).
but in rare cases there is also a few vents from above, providing the appropriate "escape routes". in this case you placed a sting down and its matrix up. :36_1_26:
in the unfortunate cases piece and rust remain both on the mold and you need to manipulate them both: but with step-by-step molds it is almost impossible for you to understand, for now...:36_6_4:
(It is curious as to answer to you, I have returned to my memory the small variety of drawn axes, some actually interesting from the academic point of view: I'm not getting old [quell' utente senior Does it not help?
Greetings, reborn.

 

[Matricola_Gigi]

to teach people like me, he always has his positive side for a retaliation.
Okay, so the stapler should be lifted from the press support. How much more or less?